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Los capítulos que integran este volumen permiten aproximarnos a diferentes formas de comprender, documentar, conservar y resignificar el patrimonio. Desde la gestión de museos y colecciones, el reconocimiento del patrimonio arquitectónico y urbano, hasta las posibilidades que ofrecen las herramientas digitales para la preservación de la memoria colectiva, las investigaciones muestran la importancia del diseño como una disciplina que participa en la construcción y transmisión de conocimientos culturales. Asimismo, se recuperan experiencias relacionadas con el patrimonio artesanal, industrial, religioso y comunitario, que permiten ampliar la discusión sobre aquello que reconocemos y valoramos como parte de nuestra herencia cultural.
Abbasi, M., Vassilopoulou, P., Stergioulas, L. (2017) Technolo-gy roadmap for the Creative Industries Creative Industries Journal. Volume 10, Issue 1, 2 January 2017, Pages 40-58Bae, S. H., & Yoo, K. (2015). Economic modeling of innovation in the creative industries and its implications. Technological Fo- recasting & Social Change, 96, 101–110. Baldwin, R., & Tomiura, E. (2020). “5 Thinking ahead about the trade impact of COVID-19.” Economics in the Time of CO-VID-19:59.Banks, M, (2020).The work of culture and Covid-19.European Journal of Cultural Studies Volume 23, Issue 4, 1 August 2020, Pages 648-654Benavente, José Miguel and Grazzi, Mateo (2017). Public Policies for Creativity and Innovation: Promoting the Orange Eco-nomy in Latin America and the Caribbean. IDB. Available at: https://bit. Ben-Moche, E. (11 de marzo de 2020). Jewish Teen Creates Co-ronavirus Website That Updates Every Minute. Jewish Jour-nal -Tribe Media Corp. https://jewishjournal.com/ cover_story/311953/jewish-teen-creates- coronavirus-websiteBetzler, D., Loots, E., Prokłpek, M., Marques, L.,(2020) Covid-19 and the arts and cultural sectors: investigating countries’ contextual factors and early policy measures. Internatio-nal Journal of Cultural Policy.BID (2020) La Pandemia pone a prueba a la Economia Creativa. Ideas y Recomendaciones de una Red de Expertos.British Council, 2020 ,The Missing Pillar: Culture’s Contribu-tion to the UN Sustainable Development Goals | Ed. British Council.Boude Figueredo, O (2013) Knowledge management: Safeguar-ding the intangible cultural heritage of the Barranquilla Carnival, Volume 29, Issue 71, 2013, Pages 27-44Buitrago Restrepo, F., Duque, Márquez, I. (2015). La Economia Naranja: una oportunidad infinita. Banco Interamericano de Desarrollo. (BID)CIF. (2020). “Press release: The Federation calls for urgent grant support for creative organisations.” UK Creative Industries Federation, Retrieved April 17, 2020, from https://www.creativeindustries federation.com/news/press-release-fe-deration-calls-urgent-grant-support-creative-organisa-tions.
Ciurea, C., Filip, F.G, (2019).The globalization impact on Creati-ve Industries and cultural Heritage: A case study. Creativi-ty Studies, Volume 12, Issue 2, 2019, Pages 211-223Comunian, R., & England, L. (2020). Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy. CULTURAL TRENDS, 29,(2), 112-128. https://doi.org/10.1080/09548963.2020.1770577Creswell, J. W. (2013a). Research design: Qualitative, quantita-tive, and mixed methods approaches (4a.ed.). Thousand Oaks, CA, EE. UU. SAGECulture Action Europe, (2019) Implementing culture within the Sustainable Development Goals | Ed. Plataforma Culture Action Europe.Cunningham, S., McCutcheon, M., Hearn, G., Ryan, M.D.(2020) Demand’ for culture and ‘allied’ industries: policy insights from multi-site creative economy research. International Journal of Cultural PolicyDelconte, J., Kline, C.S., Scavo, C. (2016) The impacts of local arts agencies on community placemaking and Heritage tourism. Journal of Heritage Tourism. Volume 11, Issue 4, 1 October 2016, Pages 324-335De Ridder, P., & De Mei, N. (2020). The Low Touch Economy is here to stay. Board of Innovation. https://www.boardofin-novation.com/low-touch- economy/ Dreesmanna, M., Grünerb, H., & Schmidt, A. (2014). Creative In-dustries: a new sphere of activities for the University of the Arts? Aspirations, challenges and restraints of creative industries in the context of management education. Social and Behavioral Sciences, 110, 587 – 594. Eikhof, D., & Warhurst, C. (2013). The Promised Land? Why social inequalities are systemic in the creative industries. Emplo-yee Relations, 35(5). Ekström, K.M.(2019) Museum Marketization: Cultural Institu-tions in the Neoliberal Era. University of Borås, Sweden. Pages 1-227Evans,G.(2016) Cultural planning and sustainable development, The Ashgate Research Companion to Planning and Cultu-re. 1 January 2016, Pages 223-238Florida, R. (28 de diciembre de 2015). The Global Creative Eco-nomy Is Big Business. Bloomberg L.P. https://www.bloom-berg.com/ news/articles/2015-12-28/the-world-s-big-gest- creative-economies
Goethe Institut, (2019), INSPIRADOR 1.2. Guidelines for Sustai-nable Cultural Management | Ed.Harini, S., Gemina, D., Yuningsih, E.(2020) Leveraging smes per-formance of sustainability: Creativity and innovation inno-vation based on hr competency and market potential in the era of ir 4.0. International Journal of Entrepreneurship. Volume 24, Issue 1, March 2020Henche, B.G, Salvaj, E.,Cuesta-Valiño,P (2020) .A sustainable management model for cultural creative tourism ecosys-tems. Sustainability (Switzerland). Volume 12, Issue 22, 2 November 2020, Article number 9554, Pages 1-21Heritage Fund. (2020). “Economic Insight into the impact of the Coronavirus (COVID-19) across the Heritage Sector in the UK.” The National Lottery Heritage Fund, 17/04/2020. https://www. heritagefund.org.uk/sites/default/files/me-dia/attachments/Economic%20Impact%20of% 20Corono-virus%20March%202020_0.pdf ICO. (2020). “The impact of COVID-19 on the exhibition industry. The results of our Exhibition Sector survey.” Independent Cinema Office, 17/04/2020. https://www.independentci-nemaoffice.org.uk/ advice-support/the-impact-of-covid-19-on-the-exhibition-industry/Jabłołski, M (2017) Applying the scenario approach to the design of business models in creative industries. Sustai-nability and Scalability of Business: Theory and Practice1 January 2017, Pages 19-31Jal, R. (2015). Transformando talento en organizaciones susten-tables: el desarrollo de emprendimientos de la economía creativa. FACES. 21 (44). 113 – 123.Jat, D.S., Sieck, J., Muyingi, H.N.-N., (...), Peters, A., Nggada, S. (2018) Digitisation of culture: Namibian and international perspectives. Pages 1-321Jiménez, I. V. (2012). La entrevista en la investigación cualita-tiva: nuevas tendencias y retos. Calidad en la Educación Superior, 3(1), 119-139. Recuperado a partir de http://dialnet.unirioja.es/servlet/articulo?codigo=3945773 Re-cuperado 25 de marzo de 2015, a partir de http://www.buseco.monash.edu.au/mgt/research/acrew/eis-enhardt.pdfKlein, M., Spychalska-Wojtkiewicz, M.(2021) Cross-sector part-nerships for innovation and growth: Can creative indus-tries support traditional sector innovations? Sustainability (Switzerland) Volume 12, Issue 23, 1 December 2020, Ar-ticle number 10122, Pages 1-19
Kolb, Bonita (2015). Entrepreneurship for the Creative and Cul-tural Industries. Mastering Management in the Creative and Cultural Industries. New York: Routledge.Kolsteeg, J (2014) Shifting Gear. The daily deliberation between arts anda economic in cultural and creative organization in Utrecht, 2010-2012 Delft: Eburon Publishers, 209p.Komorowski, M., & Lewis, J. (2020a). “The Covid-19 Self-Emplo-yment Income Support Scheme Survey.” Creative Cardiff, 17/04/2020. https://marlenkomorowski.fra1.qualtrics.com/jfe/ form/SV_51QTReYuqsVEjyd?mc_cid=c10061da-9b&mc_eid=%5BUNIQID%5D Komorowski, M., & Lewis, J. (2020b). “The Covid-19 Self-Em-ployment Income Support Scheme: How Will It Help Fre-elancers In The Creative Industries In Wales?” Creative Cardiff, 17/04/2020. https:// www.creativecardiff.org.uk/news/covid-19-self-employment-income-support-sche-me-how-will-it- help-creative-freelancers-wales?fbclid=I-wAR2MSCw3JZndV3aPi1Bv8wL16CNQ64btZZgWPkQEbU oEtVL8XPAr1YtvIUEKwok, A.O.J., Koh, S.G.M.(2020) COVID-19 and Extended Reality (XR) Current Issues in Tourism. Department of Manage-ment, Sunway University Business School, Malaysia, De-partment of Economics, School of Business, Monash Uni-versity Malaysia, MalaysiaLandry, C (2020) Arts, culture and the city: An overview. Built En-vironment. Volume 46, Issue 2, 1 May 2020, Pages 10-21Lazzeretti, L. (2012) Creative Industries and Innovation in Euro-pe: Concepts, Measures and Comparative Case Studies 1 January 2012, Pages 1-310Li, F.(2020) The digital transformation of business models in the creative industries: A holistic framework and emerging trends. Technovation. Volume 92-93, April - May 2020, Ar-ticle number 102012Linfante, V.(2021) Digital visual channels as transmedia educa-tional tools. Instagram as a tool for an augmented class-room. ICSIT 2021 - 12th International Conference on So-ciety and Information Technologies, Proceedings 2021, Pages 76-80. 12th International Conference on Society and Information Technologies, ICSIT 2021; Virtual, Online; ; 9 March 2021 through 12 March 2021; Code 168607Luzardo et al (2017). Orange Economy: Innovations you may not know were from Latin America and the Caribbean. IDB. Available at: https://bit.ly/2HSjPqo. Reference date: May 27, 2019.
Luo, L.(2021) Research on the Cultivation Mode of Applica-tion-Oriented E-Commerce Talents under the Background of Smart New Retail(Conference Paper)Mak, H.W., Fluharty, M., Fancourt, D. (2021) Predictors and Im-pact of Arts Engagement During the COVID-19 Pandemic: Analyses of Data From 19,384 Adults in the COVID-19 So-cial Study, Frontiers in Psychology, Volume 12, 26 April 2021, Article number 626263Manfredi Latilla, V., Frattini, F., Messeni Petruzzelli, A., Berner, M.(2019) Knowledge management and knowledge trans-fer in arts and crafts organizations: evidence from an ex-ploratory multiple case-study analysis. Journal of Knowle-dge Management Volume 23, Issue 7, 9 September 2019, Pages 1335-1354Marchese, D., Reynolds, E., Bates, M. E., Morgan, H., Clark, S. S., & Linkov, I. (2018). Resilience and sustainability: Similari-ties and differences in environmental management appli-cations. Science of The Total Environment, 613-614, 1275–1283. https://doi.org/10.1016/j.scitotenv.2017.09.086 Mariano, M.a, Endere, M.L.b (2013) Carnivals and heritage: Dia-logues on identities and spaces of participation Memorias. Issue 32, May-August 2017, Pages 10-41Martins, N., Brandão, D., Alvelos, H., Silva, S.(2020) E-marke-tplace as a tool for the revitalization of portuguese craft industry: The design process in the development of an online platform. Future Internet, Volume 12, Issue 11, No-vember 2020, Article number 195, Pages 1-23MinCultura Colombia, (2021) Plataforma para la Trasferencia, Dinamización y Desarrollo de Capacidades en Gestión del Emprendimiento Cultural. Recuperado de http://empren-dimientocultural.mincultura.gov.co/. Morelli, G.a, Spagnoli, F (2017) Creative industries and big data: A business model for service innovation. Lecture Notes in Business Information ProcessingVolume 279, 2017, Pages 144-1588th International Conference on Exploring Service Science, IESS 2017; Rome; Italy; 24 May 2017 through 26 May 2017; Code 190679Muzychuk, V.Yu. (2021) Culture in the context of COVID-19: Im-pact assessment and support measures. Zhournal Novoi Ekonomicheskoi Associacii Volume 49, Issue 1, 2021, Pa-ges 217-222
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eBooks.nmdsite.com
Open Monograph Press
edita: [NMd] Núcleo Multidisciplinar
ELENCO MUTANTE, Publisher
![]()
E-mail: publisher@e-mutante.com